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Review:
Pinault School of Music presents Student Recital (3)
WEILL HALL AT
CARNEGIE HALL
June 23, 2002—2 PM
This afternoon was the third of three student
recitals presented by the prestigious Pinault School of Music.
Although it may warm our hearts to hear these children and remind many of
us of our early days in music, would that most of us had been fortunate enough
to have this kind of training and exceptional performing experience.
In advance, “Bravo Drs. Bottazzi
and all who make this training and exposure possible!!”
MADELINE BARCIA (4) played
with poise and determination; with a steady rhythm and dynamics.
ALLISON FERRARIS (7) was
forceful and dynamic; good and confident playing.
ANNIE BERESHEIM (5) performed
with charm, accuracy and assurance.
JESSICA GEORGE (6) performed with obvious love of her pieces and
delightful
enthusiasm.
CAITLIN VANDERBERG (7) had a
good and steady rhythm and excellent dynamics.
SARAH BARCIA (7) performed a
lovely “Bells” and a spirited “Shortnin’ Bread”.
JOSEPH VANDERBERG (10) gave us
a very Scottish “Campbells are Coming” and a lovely “Spring Song”.
DONALD SPAMPINATO (7) came
across with spirited and accurate playing and good rhythm.
CATHERINE LYNCH (5) had a
lovely, gentle sound and played her two pieces with good accuracy.
SARAH LYNCH (7) gave us
talented playing with a good sound for the challenging Beethoven “Für
Elise”.
ALEX WILSON (11) had a good
grasp of the mood changes in the “Themes from the Barber of Seville” with a
steady rhythm and much energy.
PATRICK COSGROVE (10) had a
good grasp of the spirit of each of the two pieces and a steady rhythm.
NICOLLE RALLIS (8) gave us a
confidant and steady Burgmueller “Ballade” and “Arabesque”.
ROSS RALLIS (10) played the
interesting Beaumont “Tarantelle” with strong fingers and good mood changes.
DUSTIN LEE (11) was impressive
in the Massanet “Aragonaise” with a great deal of flair, excellent control
of dynamics and strong fingers.
KATHRYN IMPERIALE (10) had
commendably strong and accurate fingers with a strong rhythm in her Beethoven
“Für Elise”.
NICOLE SBARRA (11) showed good
fingers and a strong grasp of the musical content of the Paderewski
“Minuet”.
KEMI GADALETA (14) had a
pleasant and gentle sound and it was clear she understood the musical content of
the Sinding “Rustles of Spring”.
DANIEL MAIMONE (15)
chose an excellent and exciting tempo for the Chopin “Grand Valse
Brilliante”; balanced the lyrical and bravura with ease and showed a strong
technique and sense of timing. Fine
playing!
ALLISON MUNOZ (16) showed good
musicality and sensitivity in her
Gershwin
“I Got Rhythm”.
TRAVIS IONNE (13) performed
the formidable Liszt “11th Hungarian Rhapsody”.
He has an impressive technique and command of the instrument; is very
musical with bravura flair and an innate sense of timing.
I will be very interested in hearing this young pianist in the future.
Bravo!
ALISSA BONIELLO (14) played
the Chopin “Revolutionary Etude”, Op. 10 No. 12 with a great surge of
energy, accuracy and spirit. Excellent
technique with a good sense of timing.
DANIELLE ESWAR (18) played the
Rachmaninoff “Prelude in c# minor” with good musicality and poise.
PATRICK CHIANG (14) gave a
superior and uncompromising performance of the Chopin A Flat Major
“Polonaise”. His brisk tempo
was aptly suited to his fine technique. His
octave section was exciting and quite accurate and the lyric portion of the
Polonaise was quite lovely. Bravo!
I look forward to hearing more of this young pianist.
GRACIELA ARGUEDAS (13) played
the haunting “3rd Ballade” of Chopin with sensitive musicality,
lyricism and technique. Her
consistent rising up and down on the bench was distracting from her performance.
CHRISTOPHER DEMARIO (16)
played the “Prelude” from “Pour le Piano” by Debussy.
His technique was fluid and accurate; his “finish” and musicality
impressive and his poise evident. Excellent
performance!
HEATHER LYNCH (17) played the
heroic “Great Gates” by Mussorgsky with confidence, impressive musicality,
timing and an excellent control of dynamics.
It was a fitting, excellent close to this superior concert.
At the conclusion of the concert the faculty was
presented and awards and grades presented to these most deserving young
performers.
Note: it was distressing
to see that the staff of Weill Hall were not up the their usual efficiency in
seating latecomers and in preparing the audience for the second half of the
concert.
By Phillip Dieckow
Concert Pianist, Founder and Director of the
Dieckow School of Music in Hoboken,
Author and Critic of Pinault Reviews.
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