Review:  PINAULT SCHOOL OF MUSIC
               STUDENT RECITAL (2)
               Weill Hall at Carnegie Hall,
               June 22, 2002 at 2 PM

            This is the second of the three yearly June student recitals at Weill Hall at Carnegie Hall.  Dr. Ana Maria Trenchi de Bottazzi, co-founder of the school and world-class concert pianist and teacher, welcomed the large and enthusiastic audience and was received with warm applause.

            All four children who opened the concert were worth the entire afternoon!  They were SARIN DUTT (7), SYDNEY ADAMS (6), JULIA SULLIVAN (5) and CHELSEA TAYLOR (5).  All four children played with delightful poise, accuracy and determination.  A distinct lesson for us all and I am sure bringing back fond memories of our own beginnings in music.

            EKTAA DUTT (11) played her Beethoven “Für Elise” with accuracy, controlled execution and with a fluid rhythm.

            ANTHONY LOMASTRO (11) performed the C. P. E. Bach “Solfeggietto” with a good tempo, excellent dynamics and sense of drama.  Good job Anthony!

            COLLEEN STACK (7): outstanding playing of the difficult Paderewski “Minuet” with good dynamics and control.  Excellent.

            CHRISTINA HANLON (10):  good fingers, steady rhythm and good dynamics in her Clementi “Sonatina”.

            CLAIRE DRAGO (10): good and steady fingers and a flowing rhythm in her Chopin “Minute Waltz”.

            KATE STACK (10):  excellent technical control and a flair for color and brilliance in the Khatchaturian “Toccata”.

            CHRISTOPHER WILSHERE (11) in his trumpet version of the Triumphal March from Verdi’s “Aida” gave a rousing performance.

            PATRICK DRAGO (14) in his saxophone transcription of the Brahms “Hungarian Dance” showed fine dynamics and captured the spirit of the piece.

(Also congratulations to Dr. Kupisok who played the piano accompaniments both excellently and enthusiastically for his students Christopher and Patrick).

            MELISSA BURKE (12) performed a delicate rendition of the Singing “Rustles of Spring”.

            GABRIELA BRENES (12) played her Chopin “Waltz”, Op. 42 with great fluency, musicality and flashes of brilliance.

            CHRISTOPHER BIANCO (16) gave an imaginative and sensitive performance of the 1st Gershwin “Prelude”—most often heard just loud throughout—but not here.

            CHRISTINA BIANCO (16) gave a spirited and accurate performance of the Chopin “Military Polonaise”.

            EDUARDO SOLANO (16).  It is always an experience to see and hear the Prokofiev "Toccata" performed, much less by a young man of 16.  Superior fluency and clean playing with great energy and appropriate bombast were present in his playing.  Perhaps a more professional appearance with a jacket might have been a plus.

            SAROJA BANGARU (15) played the great A Flat Polonaise of Chopin.  The playing was aggressive and spirited and showed great courage.

            MIJAIL TUMANOV (14) performed the 1st Ballade of Chopin.  His approach was sensitive, well planned and executed.  The lyricism sang and the bravura passages were effortless.  The difficult Coda was brilliant and dramatic.  There is much promise in this young man! Bravo!  (At any age, a man customarily wears at jacket to play in Carnegie Hall.)

            ANNE LEUNG (15) gave an elegant and tightly controlled performance of the Liszt “2nd Hungarian Rhapsody”.  There was beautiful balance with the delicate, dramatic, playful and brilliant.  Bravo!

            The concert concluded with an introduction of the faculty and a presentation of grades and awards to the well-deserving young performers.

 
By Phillip Dieckow
Mr. Dieckow is a concert pianist, the director and
Founder of the Dieckow School of Music in Hoboken, New Jersey
Critic for Pinault Reviews

Home